Edited Book Open Access Full access
The Sound of Brass
Blechblasinstrumente im 19. Jahrhundert / Brass Instruments in the Nineteenth Century. Romantic Brass Symposium 5- Editors:
- | |
- Series:
- Musikforschung der Hochschule der Künste Bern, Volume 21
- Publisher:
- 2026
Summary
How do brass instruments sound like? Just loud? This cliché has always been associated with brass players. In the context of historically informed performance practice, however, this is only half the truth. Brass instruments used to stand for a powerful sound but compared to today they were much less loud. It is therefore a central concern of players and manufacturers of period replicas to gain insight into the sound of historical instruments. This volume brings together findings derived from technical methods, studies of materials history and musicological research, and also incorporates the field of instrument making, which likewise contributes to the sound of an instrument. This title is also available as Open Access.
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Bibliographic data
- Edition
- 1/2026
- Copyright Year
- 2026
- ISBN-Print
- 978-3-98740-281-4
- ISBN-Online
- 978-3-98740-282-1
- Publisher
- Ergon, Baden-Baden
- Series
- Musikforschung der Hochschule der Künste Bern
- Volume
- 21
- Language
- German
- Pages
- 231
- Product Type
- Edited Book
Table of contents
ChapterPages
- Vorwort
- Preface
- The Trombone in Germany in the Nineteenth Century. Contexts, Idioms and Legacies Pages 11 - 24Authors:Download chapter (PDF)
- Copper and Copper-Alloy Sheets for Musical Brass Instruments, Made in the Kingdom of Saxony Pages 43 - 64Authors:Download chapter (PDF)
- Der gegenseitige Einfluss von schwingender Luftsäule und Instrumentenkonstruktion Pages 71 - 78Authors:Download chapter (PDF)
- The Romantic Trombone in Italy. Music, Treatises, Instruments Pages 79 - 96Authors:Download chapter (PDF)
- Flat Pattern Sheet Brass Development in Trombone Bell Making. The Graslitz Method Pages 97 - 104Authors:Download chapter (PDF)
- Eine Ventilposaune mit einem Vorläufer der ›Berliner Pumpen‹. Blechblasinstrumentenbau in Berlin um 1830 Pages 105 - 116Authors:Download chapter (PDF)
- Franz Xaver Glöggl and Beethoven’s Equali. New Evidence Indicating the Formation of an all-Bb Trombone Section in Austria Pages 117 - 134Authors:Download chapter (PDF)
- “Answer, Echoes, Answer”1. The Challenges of Muted Horn Passages in Solo Repertoire of the 1820s Pages 135 - 152Authors:Download chapter (PDF)
- Semantic Connotations of the French Horn in Richard Wagner’s Ring des Nibelungen Pages 153 - 168Authors:Download chapter (PDF)
- Ein Wiener Stil der orchestralen Behandlung der Blechblasinstrumente. Seyfried aktualisiert Albrechtsbergers Instrumentenkunde und orchestriert eine Arie von Grétry neu Pages 169 - 206Authors:Download chapter (PDF)
- Johannes Kuhlo’s Conception of the ‘Posaunenchor’ and His Kuhlohorn. An Ideal of the Sacred Sound and Its Embodiment in the German Empire Pages 207 - 218Authors:Download chapter (PDF)
- Personen-, Werk- und OrtsregisterPages 219 - 230 Download chapter (PDF)
